{"id":1357,"date":"2022-04-03T14:38:02","date_gmt":"2022-04-03T14:38:02","guid":{"rendered":"http:\/\/afrokuba.net\/?p=1202"},"modified":"2023-02-08T08:25:17","modified_gmt":"2023-02-08T13:25:17","slug":"kiel-se-llena-de-aroma-cubano","status":"publish","type":"post","link":"https:\/\/www.afrokuba.com\/en\/2022\/04\/03\/kiel-se-llena-de-aroma-cubano\/","title":{"rendered":"Kiel fills with Cuban aroma"},"content":{"rendered":"<p>M\u00e1s de veinte minutos de intensos aplusos recibi\u00f3 el Ballet de Kiel durante la premiere de la obra \u201cOthello 2.0\u201d, coreograf\u00eda del Primer bailar\u00edn y maestro Amilcar Moret Gonz\u00e1lez.<\/p>\n\n\n\n<p>Seg\u00fan las entrevistas realizadas por el profesor Miguel \u00c1ngel Garc\u00eda Velasco\u2014fundador y director general del Proyecto Etnovisual AfroKuba\u2014varios de los bailarines entre ellos la bailarina Marina Kadyrkulova (Kirguist\u00e1n ) y el brasile\u00f1o&nbsp; Pedro Pires declararon sentirse agradecidos por la presentaci\u00f3n y, sobre todo, por la maestr\u00eda del cubano.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/2022_04_02_21_11_IMG_4908.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong><em>Declaraciones de Marina Kadyrkulovamamoto<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video controls src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Declaraciones-de-pedro.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong><em>Declaraciones de Pedro Pires<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Si desbordante fue la actuaci\u00f3n en el Teatro Kiel de Alemania, m\u00e1s emotivo a\u00fan fue la presencia all\u00ed de la gran diva del ballet cubano Ofelia Gonz\u00e1lez (una de las Tres Gracias junto con Rosario Su\u00e1rez y Amparo Brito) y del gran bailar\u00edn Pablo Mor\u00e9,&nbsp; ambos padres de Amilcar.<\/p>\n\n\n\n<figure class=\"wp-block-video aligncenter\"><video height=\"480\" style=\"aspect-ratio: 848 \/ 480;\" width=\"848\" controls src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Abrazo-padre-y-madre.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong><em>Abrazo de padre y madre<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Las im\u00e1genes captadas por Garc\u00eda Velasco nos demuestran el orgullo de unos padres en pleno \u00e9xtasis con su reto\u00f1o.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped aligncenter wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"1207\" src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Familia-2-1024x768.jpeg\" alt=\"\" class=\"wp-image-1207\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" data-id=\"1206\" src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Familia-1024x768.jpeg\" alt=\"\" class=\"wp-image-1206\"\/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong><em>Familia Mor\u00e9 &#8211; Gonz\u00e1lez<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p>Nacido en La Habana en 1977, Amilcar Moret Gonz\u00e1lez estudi\u00f3 en la Escuela Nacional de Ballet de Cuba. Ha bailado como primer bailar\u00edn en varios escenarios europeos como el Bavarian State Ballet, Les Ballettes De Monte-Carlo, el Zurich Ballet y el Hamburg Ballet. Tambi\u00e9n ha bailado en papeles principales en Brasil, Estados Unidos y M\u00e9xico en obras como \u201cCopp\u00e9lia\u201d, \u201cLa fille mal gard\u00e9e\u201d, \u201cCascanueces\u201d y \u201cLe Corsaire\u201d. Entre sus premios y reconocimientos destacan la Medalla de Oro en el Concours International&nbsp; de la danse de Par\u00eds en 1996 y la Medalla de Bronce en el Helsinki International Ballet &amp; Choreography Competition en 1995.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Ballet-Kiel-1024x768.jpeg\" alt=\"\" class=\"wp-image-1208\"\/><figcaption class=\"wp-element-caption\"><strong><em>Ballet Kiel<\/em><\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Indiscutiblemente la noche del dos de abril de 2022 quedar\u00e1 en la memoria de quienes asistieron a la premiere de \u201cOthello 2.0\u201d en el mencionado teatro alem\u00e1n. Nada de celos, intriga ni tragedias sino mucho amor y un cautivador aroma cubano.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" src=\"http:\/\/afrokuba.net\/wp-content\/uploads\/2022\/04\/Foto-grupo.jpeg\" alt=\"\" class=\"wp-image-1210\"\/><figcaption class=\"wp-element-caption\"><strong><em>De izq. a derecha: Amilcar, B\u00e1rbara Torn\u00e9s (maestra y core\u00f3grafa), Miguel \u00c1ngel Garc\u00eda Velasco (director de AfroKuba), Ofelia Gonz\u00e1lez (primera bailarina del BNC), Pablo Mor\u00e9 (primer bailar\u00edn del BNC) y Wendi Williams (bailarina estrella del musical \u201cEl Rey le\u00f3n\u201d de Hamburgo).<\/em><\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<p>Fotos: <a href=\"http:\/\/www.afrokuba.net\">AfroKuba<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Cuban dancer Amilcar Moret Gonz\u00e1lez stole the applause during the premiere of the ballet \"Othello 2.0\" at the Kiel Theater in Germany. AfroKuba was present<\/p>","protected":false},"author":1,"featured_media":1364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[192,90,191],"tags":[96,97,80,98,99,100,101,102],"class_list":{"0":"post-1357","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-ballet","8":"category-danza","9":"category-homenaje","10":"tag-amilcarmoret","11":"tag-ballet","12":"tag-cuba","13":"tag-familia","14":"tag-keitoyamamoto","15":"tag-kiel","16":"tag-pedropires","17":"tag-premiere","19":"post-with-thumbnail","20":"post-with-thumbnail-large"},"aioseo_notices":[],"jetpack_featured_media_url":"https:\/\/www.afrokuba.com\/wp-content\/uploads\/2022\/04\/Portada-2.jpeg","_links":{"self":[{"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/posts\/1357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/comments?post=1357"}],"version-history":[{"count":0,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/posts\/1357\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/media\/1364"}],"wp:attachment":[{"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/media?parent=1357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/categories?post=1357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.afrokuba.com\/en\/wp-json\/wp\/v2\/tags?post=1357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}